The children’s film is based on Wenjamin Kawerin’s short story "Leichte Schritte". It centers on the ten-year-old Peter who is in love with his classmate Una. Much to his despair, however, Una is attracted to another classmate. Peter escapes into a dream world in which he spends a wonderful time with a girlfriend made from snow. As springtime arrives, the snow girl is threatened by the thaw. In order to preserve their friendship, Peter locks his "Una" into a cold store.

In a loose set of cabaret pieces, Steffen Mensching and Hans-Eckardt Wenzel - highly acclaimed East German poets, songwriters and clowns - satirize East German life in its final days and the arrival of new times after the fall of the Berlin Wall. The clowns are allowed to leave prison to sing for people outside. As they perform their pieces, however, the country sinks into rebellion, the prison is attacked and looted, and the people chase the clowns away. Latest from the Da-Da-R was the first film made by an artistic production group that had fought for independence within the structures of the state-owned DEFA film studio for years. "Da-Da-R" is a wordplay on the irreverent Dada art movement of the 1920s and the German acronym for East Germany- the DDR.

In the Rhineland in the 1960s, Hans Gunter, a rather shy young man in his mid-twenties, is one of the top players in the country at Tipp-Kick— a tabletop soccer game. When one of the metal figure players accidentally falls into a bath of photo-chemicals, it comes to life as a blond young football star, creating havoc in the life of its owner.

Out of the blue, actress Anna loses her job at a small municipal theater. Having just been on stage, she now finds herself in the dreariness of the local job center. At the insistence of her theater-enthusiastic caseworker, she takes over the management of an acting course for eight long-term unemployed people who are difficult to place. Despite enormous resistance to the compulsory training program, the frustrated lone fighters increasingly form a close-knit group with whom Anna stages Antigone. Surprisingly, the participants' private dramas become more and more turbulent and Anna also experiences a new beginning that she hadn't expected.

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Unknown assailants threaten the life of British scientist Dr. Ronald Fergusson. Only by chance does the attempt to shoot him in the street fail. Fergusson, who does not believe in police protection, hires private detective Weber for his personal safety. And time and again, the headstrong scientist makes it difficult for his bodyguard to fend off further assassination attempts. Despite being expressly forbidden to do so, he leaves the house. Full of bad suspicions, Weber looks for his client in the morgue, but Vivian, Fergusson's employee, doesn't know the dead man...